Welcome to to another day of “Poems, Prayers, & Promises”
Remember, you’re the co-creator of this dive. Do as much or as little as you’d like, when you’d like, how you’d like, with the materials I provide. Just keep gentle faith with yourself.
Set your intention
Take a moment to name the primary intention you have for this month-long deep dive and/or this particular session. Take a quiet moment to center yourself in that intention.
Enter the music
Read the poem
I invite you to read this poem twice—aloud, at least once. You may also listen to my reading of the poem, perhaps with your eyes closed.
DIFFERENT WAYS TO PRAY Naomi Shihab Nye There was the method of kneeling, a fine method, if you lived in a country where stones were smooth. The women dreamed wistfully of bleached courtyards, hidden corners where knee fit rock. Their prayers were weathered rib bones, small calcium words uttered in sequence, as if this shedding of syllables could somehow fuse them to the sky. There were the men who had been shepherds so long they walked like sheep. Under the olive trees, they raised their arms— Hear us! We have pain on earth! We have so much pain there is no place to store it! But the olives bobbed peacefully in fragrant buckets of vinegar and thyme. At night the men ate heartily, flat bread and white cheese, and were happy in spite of the pain, because there was also happiness. Some prized the pilgrimage, wrapping themselves in new white linen to ride buses across miles of vacant sand. When they arrived at Mecca they would circle the holy places, on foot, many times, they would bend to kiss the earth and return, their lean faces housing mystery. While for certain cousins and grandmothers the pilgrimage occurred daily, lugging water from the spring or balancing the baskets of grapes. These were the ones present at births, humming quietly to perspiring mothers. The ones stitching intricate needlework into children’s dresses, forgetting how easily children soil clothes. There were those who didn’t care about praying. The young ones. The ones who had been to America. They told the old ones, you are wasting your time. Time?—The old ones prayed for the young ones. They prayed for Allah to mend their brains, for the twig, the round moon, to speak suddenly in a commanding tone. And occasionally there would be one who did none of this, the old man Fowzi, for example, Fowzi the fool, who beat everyone at dominoes, insisted he spoke with God as he spoke with goats, and was famous for his laugh. (from Words Under the Words: Selected Poems, 1995)
Contemplate/Create
Use any of these questions however you wish—e.g., as openings for meditation or prayer, as prompts for journaling or poetry-writing, as sparks for drawing or painting, as catalysts for change-making . . . You may also ignore my questions altogether to go off in other directions!
List the different ways of praying presented in this prayer. Now, list some of your own ways of praying (or meditating, or centering, etc.).
What are some of the sensory details that the poet associates with prayer? Do you tend to engage with your senses when you pray? How involved is your body in your praying?
The poem draws a distinction between the prayer habits of the old and the young. How has your own practice of prayer changed as you’ve aged?
What do you make of the fool’s appearance at the end of the poem?
Write an imagined conversation between you and Fowzi.
Does your consideration of this poem move you to make any kind of promise to yourself or someone else?
Want to visit with other Rafters in the Deep Dive?
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Join us ☀️September 5 (NOT August 5) for “Rafter Refuge”! (My mistake, initially announcing the wrong date.)
6:30-8:00PM Central (7:30 ET, 5:30 MT, 4:30 PT)
Let’s close this Deep Dive with a time of sharing. Come and reflect with other Rafters on “Poems, Prayers, & Promises.” Registration is required for this celebration.
We all pray in different ways. Perhaps Fowzi the Fool really wasn't as foolish as he was perceived to be...Hmmm.